In the seventies, he painted symbolic conceptual art, an expression of the movement of form with black ink technique on paper. He exhibited at the José Peón Contreras Theater, Lasalle University, Motul Municipal Palace, at the Palacio Cantón Museum in La Casa de México in Havana, Cuba.

At the beginning of 2000, he produced sculpture using wood, train rail nails and henequen threads among other materials for the Regional Temple Aesthetics project, with traditional stone and wood carvers in Yucatán (2011-2018).

His work has been exhibited in Mexico City, Yucatán, Oaxaca, Guerrero, Havana Cuba, Leiden Netherlands, and New York USA.